There is a famous night club located in the centre of Sofia with the controversial name of Cabaret. When one enters it though, it does not feel like a cabaret, neither does it look like one: it mostly resembles a cultural salon like the ones which were very common in Europe during the first quarter of the 20th century. After an in-depth look around it becomes apparent that this place actually used to be one. Moreover, it was a very significant venue in our cultural history.
The house that today hosts a night club and a restaurant
used to belong to one of the most prominent and best-looking couples in
post-liberated Bulgarian capital city: the family of the State secretary of
Finance, Hristo Belchev, and his stunningly beautiful wife Mara, who was a
lady-in-waiting for the Bulgarian Princess Clementine. Her exceptional
personality is the reason for the extraordinary life that she had. Her refusal
to comfort or be conventionally convenient made her a misfit in the city which
used to adore her and envy her. How can such a dramatic shift in attitude be
possible?
Mara Belcheva is one of these enchanting ladies born under what
seemed to be a lucky star at first, but later turned into a curse. She was
doomed to suffer for being too much: too beautiful to be smart, too smart to be
happy, too loving to be well-off, too open-minded to be a regular housewife,
too talented to be recognized. At the age of 22 she loses her husband whom she
loves madly. The Secretary is assassinated on the street while strolling with
the Prime-Minister (the real target of the attack). Mara is heartbroken and
wears black until her death, 46 years later. Being an intellectual herself, she
cannot remain in the Palace as a lady-in-waiting because she despises all the
vanity there, not to mention the constant advances noblemen (including the
Bulgarian tzar) were making towards her now that she did not have a husband
anymore. So she scandalized the conservative Sofian society by giving up her
status and financial support and going to study literature in Switzerland,
having already studied it in Vienna. Choosing spiritual growth over material
prosperity was a typical feature of hers which only proves how remarkable and
genuine she was not only as a poet but as a human being.
When she returned to Sofia in several years, Mara was no
longer the vulnerable girl she used to be. The intellectual Mrs. Belcheva
entered the world of Sofian Bohemians and was so well-accepted there that she
started organizing their cultural meetings herself. Even though she was born
into a wealthy family, married a Secretary of Finance, and had her own place in
the Palace, she became a teacher dedicating her efforts to educate young girls,
to show them they can learn more and become professionals, which for the time
being was too progressive and frequently frowned upon, especially by the
newly-formed upper class.
However, the most scandalous deed of hers was about to shake
hypocrisy to its foundation. Ironically, today she is almost only known because
of her second and more mature grand love, the Bulgarian poet and one of the
most essential cultural figures, Pencho Slaveykov. She met him in 1903 and even
though they never married (another demonstration of outrageous disregard of
social conventions that she was about to pay dearly later) they referred to
each other as spouses in literature. Mara was a poet herself and Slaveykov was
the one to recognize her and encourage her to write. She even translated for
him from German into Bulgarian Friedrich Nietzsche's Thus Spoke Zarathustra – a
grand work of philosophy. In the eyes of society, however, she was just Mr.
Slaveykov’s mistress and no one took her seriously neither as a poet, nor as a
translator, saying that she was trying to pass his work as hers.
Such attitude was not merely unfair and cruel, people could
not forgive Mara’s freedom to make choices in what was pretty much still a
patriarchal society, so discrediting her work and achievements was a great way
for a revenge. During her entire relationship with Pencho Slaveykov they were
both targets of contempt, gossip and criticism since neither of them really
cared about public opinions and they were getting on like real soulmates. His
best works which are taught at school today were written when he was with his
muse. Moreover, she was also his partner, providing him with all the support he
needed even when it meant suppressing her own quill. They were together for 9
years, until Slaveykov’s death, going through thick and thin but remaining
strong together until their tragically forced parting.
Pencho literally died in Mara’s arms in Italy – a foreign
land where he went after being treated very cruelly and disrespectfully by the
Bulgarian new government. His literary wife had already mortgaged her house in
the centre of the city so she could pay for the treatment he needed. When he
passed away she was devastated begging the government and Pencho’s former
friends for financial aid so she could transport his remains to his country.
Receiving no response she had to bury him in Italy suffering not only his death
but the inhumane attitude by the country whose greatest poet had just died
unrecognized.
Mara had to live 20 more years after she lost her soulmate.
This was the hardest time for her since she was not well-received in what was
predominantly male Bulgarian literary society. She wrote and published
Slaveykov’s biography to keep the memory of him alive, but the more acclaimed
he became, the less people took any interest in her work. Her poetry was never recognized
while she was still living, even though today many critics think that it has
its unique voice and distinctive qualities. Life was not easy for Mara Belcheva
but she managed to go through it with dignity, leaving the trace of
independence and spiritual strength many women would be inspired by later. She
deserves to be remembered for what she was: a remarkable poet, a culture
figure, an educator and a rebel who always fought for justice.
Mara Belcheva, in some literary critics’ view, writes the
brightest female poetic prayer in Bulgarian poetry. This is the prayer of every
independent woman even today:
Oh, God, do give me strength
on my shoulders to carry the world
without begging for help
while being wretched and hurt
You gave us all much pain
but strength to just a few;
Don’t let me die in vain
for love and loss are through.
Sources: Zografova, K. Remarkable Bulgarian Ladies, 2022
Dafinov, Zdravko, Bulgarian literary scene
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